This evening, we meet around eight o’clock, at a rambling old colonial villa in the heart of Eritrea’s sleepy capital, Asmara. Bougainvillea and Clematis crawl along the old stone walls, Italianate stucco designs frame the peeling storm shutters, the hallway has that 1930s feel of space and marble that disappeared after the Second World War. The equally spacious living room is hung with paintings, lined with books and evinces the peripatetic essence of the international worker: wood carvings from Indonesia, wall hangings from Afghanistan, carved wooden footstools from Kenya and batik prints from Benin. On the coffee table, a beautifully crafted Eritrean bread basket.
Apart from this hodge-podge of domestic style, the most fascinating sight to behold here tonight is a massive collection of books, arrayed on the dining table, tumbling over onto the sideboard, piled on chairs and on the windowsill, arranged without rhyme or reason. Their authors range from Shakespeare to Michael Herr, from Jane Austin to Zadie Smith, but their random placement is all part of the charm and glory of what is simply known in Asmara as “The Book Club”.
The Book Club is an anarchic entity. Its library of around 700 tomes has no geographical resting place. People meet, discuss books, drink wine, and at the end of the night, somebody just volunteers to host the next Book Club. It’s like ‘Fight Club’ without Brad Pitt. There is no treasurer, no fee, no headquarters, no membership requirements. The books travel, each month, in an assortment of cardboard boxes, from the location of the last Book Club, to the location the next Book Club, and are then simply stacked in any suitable space in the host/hostess’s living room for all to peruse. (more…)
So delighted to get up this dark December morning and read the lovely piece today in The Irish Examiner by Sue Leonard, run as part of the “Beginner’s Pluck” column. Sue’s kind words further made my day as she accredited the work with something every writer tries to acheive: Whether she is describing the heartbreak of a family whose child has been damaged by a landmine; the impermanence of love on the field, or an exquisite encounter on a beach at dawn, Mulkerns creates magic. With the verdict concluding that the book is “quite a wonderful collection of linked stories” I’ll be starting the new year on a high tomorrow. It was great to meet with Sue and chat, and you can see more about her on her own website here.
Meanwhile, click here or click on the image below for the article. My favourite line of it quotes me on working for Hot Press Magazine during my rock’n’roll years: “I was hanging around backstage with various bands,” she says.’ Yes indeed – what a job description!
The Irish Independent newspaper asked Irish Writers for their “top book picks” of 2016 for the Christmas Eve issue, and it was great to see Dermot Bolger giving the heads up to Ferenji in his input. Click here or on the image below for details.
He notes: “It is also lovely when a writer whose stories you have read with pleasure for years finally collects them in an overdue debut, and I was very taken with Helena Mulkerns’ Ferenji (Doire Press) where she mines her experiences as someone working in remote, dangerous regions with the United Nations to create short fictions which are finely written and astutely observed, in terms of the human heart and of the physical terrain they skilfully traverse.”
Friday, 16 December
9 pm, Adm €12
Now in its 7th year, Cabaret hosts Helena Mulkerns and Josh Johnston are always happy to return to the Cáca Milis alma mater, The Wexford Arts Centre. This time around, Mulkerns, fresh from the success of her own fiction debut, “Ferenji” (on sale at The Wexford Book Centre) is excited to present both new and long-standing Cabaret performers.
The evening will kick off with some tributes to the ones that got away this year, including Bowie, Cohen and Prince, and then there will be high drama as dancers Ellina Shmarkovska and Andrew Green perform some sensual Argentinian Tango and Milonga. We’re delighted to welcome Natalia Cullen, a popular chanteuse in the Russian Irish community, joined by musician Des Kiely for some smooth vocals and jazz guitar.
Readers may be most familiar with the fine singer songwriter Gar Cox through his wonderful song, “Too Late For Christmas” and its yule time reflections of an Irish person living abroad issued last year. He’ll sing it (and more) tonight. To provide some literary thrills, author Cat Hogan will read from her best-selling book, “They All Fall Down”. And to rev up the night, don’t miss the much-anticipated performers Aileen Mythen and KJ McEvoy – otherwise known as The Remedy Club, one of Wexford’s hottest blues/rock duos.
Then: the movie! For your entertainment pleasure, we present My Life For Ireland the brilliant and hilarious story of a young Irish man willing to fight for his country. Directed by Kieron J. Walsh and written by Patrick McDonnell, it gives the 1916 commemerations a whole new take… Following that there’s a last minute Christmas surprise as the inimitable Mr Eoin Colfer, along with cast members from the upcoming production NOËL, will present a song from the show, playing from 19-23 December at the Wexford Opera House.
Wexfordian Seán Kiley’s original poetry and short fiction, already published in several anthologies and reviews, has made him a man to look out for in Wexford letters. He’ll be reading live for the first time on Friday night and is sure to receive a warm welcome.
Top of the night the audience can expect a treat as the compelling artist known as The Late David Turpin takes to the stage. His work could be described as a sort of superlative fusion of mood, fantasy, glam and techno. Performing with a visually stunning multi-media edge, it’s not surprising that David is involved both in music and in film. His first feature screenplay, “The Lodgers” is currently in production.
Finally, work by all on the bill will be available to purchase from the artists themselves, and audience members may well get some DVDs or books for their Christmas stockings this year among the grand raffle prizes. You’ll also be able to purchase your copy of “Ferenji” by Helena Mulkerns, and of course the Cáca Milis anthology “Red Lamp Black Piano.”
Show starts at 9:00 pm sharp – so get there early, as seating is limited, or book ahead at:
www.wexfordartscentre.ie / phone 053-912-3764 Also see: www.cacamilis.org
And for more on your Cabaret hosts: www.HelenaMul.com / www.JoshJohnston.com
It was such a wonderful surprise to open the Irish Times today, and find my book mentioned by one of my favourite short story writers, Nuala O’Connor, as one of her “Favourite Books of 2016”. The full article is filled with great recommendations for Christmas presents, 2016 – check it out at this link:
Nuala says: “Ferenji is the debut short story collection of Helena Mulkerns, a former press officer with the United Nations. The stories concern both aid workers’ and locals’ stories and are humane and graphic. Beautifully written and topical, this book is a heartbreaking look at the realities of post-war lives.”
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Really looking forward to the “Finding a Voice” special evening on Thurs, 8th December at 18:30, when author, poet and playwright Dermot Bolger hosts an evening of readings and music at The National Museum of Ireland, Collins Barracks, Dublin.
The event celebrates Dermot’s 2016 writer’s residency, a collaborative project set up by the Museum’s 1916 Public Entertainment Programme and Poetry Ireland, which saw a series of events entitled “Finding A Voice” take place throughout the year. Combining workshop, panel discussion, lectures and readings, these afternoons were a pleasure for all – both the writers who read and spoke at them, and the participants – often first time writers – who benefitted from the series.
Elsewhere at the museum, the centenary is celebrated by “Proclaiming a Republic – The 1916 Rising” – a splendid exhibition in the Riding School venue at Collins Barracks – a visit to which would be more than worthwhile on Thursday afternoon, before the reading in .
With this aspect of the 1916-2016 centenary celebrations in mind, Dermot asked me to join in the final event, not only as a writer (I’ll read from my book, “Ferenji“), but also as the Granddaughter of the 1916 rebel Jimmy Mulkerns, who fought at the Four Courts during the Rising, and who then spent eight hard months incarcerated at Frongoch Prison Camp, along with almost 2,000 other Irish rebels.
My grandfather, a fine actor and tenor who had his own touring theatre troupe, was part of the “Amusements Committee” that set up the weekly entertainment evenings in Frongoch camp, along with some of the other prisoners involved in the theatre or the entertainment field of the day, who fought in the rebellion.
At the time, there were at least three theatres in operation in Dublin – the posh new Abbey Theatre, founded by Yeats and Lady Gregory, the more popular Queens Theatre, and several other music hall style venues – including the old Empire Palace Theatre (now The Olympia). It wasn’t surprising that a number of the rebels were also entertainers and actors. To keep up the spirits of the men, they organised a little cabaret/seisúin each Friday evening.Their efforts included the presentation of music, original drama as well as skits and satire.
Jimmy Mulkerns served in the role of Master of Ceremonies and satirical songster at these evenings, earning the nickname “The Rajah of Frongoch” in playful reference to the exotic costumes he would derive from curtains, rags or donations from women of the local Welsh community. The Rajah was the inspiration for my own entertainment evening, The Cáca Milis Cabaret, at which Dermot Bolger has been a much appreciated participant on several occasions.
So this Thursday evening promises to be a lively and enjoyable event, with the participation of those who have attended Dermot’s excellent workshops through the year since March and from literary friends, as well as a few songs to remember those who might have fought in the area in or around what is now the National Museum, Collins Barracks, in 1916.
For more fun stuff, click the links:
National Museum of Ireland 1916 Public Event Programme
The daughter of the Rajah of Frongoch Val Mulkerns, visits the location of the camp, 2016 (by Maev Kennedy)
With thanks to Matthew Lloyd for the links to his fascinating website on old music halls and theatres:
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Click here, or on the image to read a short story from Ferenji,
published on The Irish Times website.
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It was great to be able to talk live to Seán Rocks on ARENA last night, Irish national radio’s premier arts show … for anyone who’d like to have a listen back to me interviewed about my book, Ferenji –
here’s the direct live link to my interview:
Here’s a piece from The Sunday Times newspaper, giving an account of “MY WEEK”. Hard to capture – between the election of a clown as sad as Trump and the loss of a king as fine as Cohen – but here goes!
“The author enjoys ‘high mirth and low bitching’ over a US election
that makes her question if autumn is the only sign the clocks have turned back.”
Never liked it, autumn. And never more so than the day the clocks go back. Mostly, I resist accepting it until the last moment possible. It finally has to be let in, with its crisp, chill mornings, afternoon-nights and grounded leaves. All supposedly natural signs of death before rebirth. I’m not usually such a pessimist, but, for me, this morning is a shady whisper of darkness on the way. (more…)
This is my contribution to a piece by Martin Doyle with tributes from John Kelly, Sara Baume, Peter Murphy, Evelyn Conlon and more. For all writers’ contributions, please click this link.
It wasn’t until the mid-nineties, a decade into the study of Tibetan Buddhism, that I began to listen to the music of Leonard Cohen. A beautiful Chinese artist friend would have no other soundtrack as she painted. She said he transported her to a richer place than the blank, cold studio she was working in. I only began to hear Cohen with her, then after she moved away I heard him more clearly by myself on a Buddhist retreat in Vermont. Along pathways between pinewood trees and incensed shrine rooms, I played him constantly – in defiance of the strict rules of the monastery (no “entertainment”). The experience was intensified by my fascination at Cohen himself having just retreated from the craziness of the music business to a Zen monastery in California.
Such respite from the turbulence and uncertainty of daily living in today’s world is always ephemeral. Even Cohen came back into the spotlight when he began to tour again in recent years. But his music is, in a way, is like a retreat. It takes you out of the fray and into aural balm and wit and darkness that even while dark, is calming and sensual. (more…)