It was such a wonderful surprise to open the Irish Times today, and find my book mentioned by one of my favourite short story writers, Nuala O’Connor, as one of her “Favourite Books of 2016”. The full article is filled with great recommendations for Christmas presents, 2016 – check it out at this link:
Nuala says: “Ferenji is the debut short story collection of Helena Mulkerns, a former press officer with the United Nations. The stories concern both aid workers’ and locals’ stories and are humane and graphic. Beautifully written and topical, this book is a heartbreaking look at the realities of post-war lives.”
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Really looking forward to the “Finding a Voice” special evening on Thurs, 8th December at 18:30, when author, poet and playwright Dermot Bolger hosts an evening of readings and music at The National Museum of Ireland, Collins Barracks, Dublin.
The event celebrates Dermot’s 2016 writer’s residency, a collaborative project set up by the Museum’s 1916 Public Entertainment Programme and Poetry Ireland, which saw a series of events entitled “Finding A Voice” take place throughout the year. Combining workshop, panel discussion, lectures and readings, these afternoons were a pleasure for all – both the writers who read and spoke at them, and the participants – often first time writers – who benefitted from the series.
Elsewhere at the museum, the centenary is celebrated by “Proclaiming a Republic – The 1916 Rising” – a splendid exhibition in the Riding School venue at Collins Barracks – a visit to which would be more than worthwhile on Thursday afternoon, before the reading in .
With this aspect of the 1916-2016 centenary celebrations in mind, Dermot asked me to join in the final event, not only as a writer (I’ll read from my book, “Ferenji“), but also as the Granddaughter of the 1916 rebel Jimmy Mulkerns, who fought at the Four Courts during the Rising, and who then spent eight hard months incarcerated at Frongoch Prison Camp, along with almost 2,000 other Irish rebels.
My grandfather, a fine actor and tenor who had his own touring theatre troupe, was part of the “Amusements Committee” that set up the weekly entertainment evenings in Frongoch camp, along with some of the other prisoners involved in the theatre or the entertainment field of the day, who fought in the rebellion.
At the time, there were at least three theatres in operation in Dublin – the posh new Abbey Theatre, founded by Yeats and Lady Gregory, the more popular Queens Theatre, and several other music hall style venues – including the old Empire Palace Theatre (now The Olympia). It wasn’t surprising that a number of the rebels were also entertainers and actors. To keep up the spirits of the men, they organised a little cabaret/seisúin each Friday evening.Their efforts included the presentation of music, original drama as well as skits and satire.
Jimmy Mulkerns served in the role of Master of Ceremonies and satirical songster at these evenings, earning the nickname “The Rajah of Frongoch” in playful reference to the exotic costumes he would derive from curtains, rags or donations from women of the local Welsh community. The Rajah was the inspiration for my own entertainment evening, The Cáca Milis Cabaret, at which Dermot Bolger has been a much appreciated participant on several occasions.
So this Thursday evening promises to be a lively and enjoyable event, with the participation of those who have attended Dermot’s excellent workshops through the year since March and from literary friends, as well as a few songs to remember those who might have fought in the area in or around what is now the National Museum, Collins Barracks, in 1916.
For more fun stuff, click the links:
National Museum of Ireland 1916 Public Event Programme
The daughter of the Rajah of Frongoch Val Mulkerns, visits the location of the camp, 2016 (by Maev Kennedy)
With thanks to Matthew Lloyd for the links to his fascinating website on old music halls and theatres:
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It was great to be able to talk live to Seán Rocks on ARENA last night, Irish national radio’s premier arts show … for anyone who’d like to have a listen back to me interviewed about my book, Ferenji –
here’s the direct live link to my interview:
Here’s a piece from The Sunday Times newspaper, giving an account of “MY WEEK”. Hard to capture – between the election of a clown as sad as Trump and the loss of a king as fine as Cohen – but here goes!
“The author enjoys ‘high mirth and low bitching’ over a US election
that makes her question if autumn is the only sign the clocks have turned back.”
Never liked it, autumn. And never more so than the day the clocks go back. Mostly, I resist accepting it until the last moment possible. It finally has to be let in, with its crisp, chill mornings, afternoon-nights and grounded leaves. All supposedly natural signs of death before rebirth. I’m not usually such a pessimist, but, for me, this morning is a shady whisper of darkness on the way. (more…)
This is my contribution to a piece by Martin Doyle with tributes from John Kelly, Sara Baume, Peter Murphy, Evelyn Conlon and more. For all writers’ contributions, please click this link.
It wasn’t until the mid-nineties, a decade into the study of Tibetan Buddhism, that I began to listen to the music of Leonard Cohen. A beautiful Chinese artist friend would have no other soundtrack as she painted. She said he transported her to a richer place than the blank, cold studio she was working in. I only began to hear Cohen with her, then after she moved away I heard him more clearly by myself on a Buddhist retreat in Vermont. Along pathways between pinewood trees and incensed shrine rooms, I played him constantly – in defiance of the strict rules of the monastery (no “entertainment”). The experience was intensified by my fascination at Cohen himself having just retreated from the craziness of the music business to a Zen monastery in California.
Such respite from the turbulence and uncertainty of daily living in today’s world is always ephemeral. Even Cohen came back into the spotlight when he began to tour again in recent years. But his music is, in a way, is like a retreat. It takes you out of the fray and into aural balm and wit and darkness that even while dark, is calming and sensual. (more…)
A piece in Hot Press magazine by Anne Sexton, with photo by Paula Nolan and review by Olaf Tyaransen. Below see an extract from the interview – the rest in Hot Press magazine, available in all Irish newsagents right now!
LIFE DURING WARTIME – INTERVIEW BY ANNE SEXTON
An arts journalist and performer, Helena Mulkerns lived and worked in Paris and New York before joining the UN as a press officer.
It was her ten years with UN peacekeeping missions that inspired her collection, Ferenji and other stories. Ferenji means ‘foreigner’ in old Arabic and Persian. As the name suggests, Mulkerns’ stories centre on the lives of foreign aid workers in various conflict and post-conflict zones. (more…)
This is my contrbution to a piece by Martin Doyle with reactions from Kevin Barry, Mia Gallagher, Joseph O’Connor, Louise O’Neil, Roddy Doyle and more. For all writers’ contributions, please click this link.
It’s a sort of grief, the process of coming to accept that a misogynistic, racist madman is about to take over the world’s most powerful country. There are several stages. First, I had a session of black humour banter with a friend on Facebook (denial). Then I exchanged furious emails with a friend who had not voted for Hillary, because she is an “undeniable” crook. I argued that in this case, anybody with half a brain should know that not voting democrat was an undeniable vote for fascism (anger). Then I got a call from a distraught Muslim friend awaiting a Greencard in the mid-West. Having escaped the horrors of a true police state, she fears she will be sent home under some Trump deportation programme. I tried to calm her, suggesting his threats are all bluster (bargaining). Then I simply remembered the last time a country in the so-called developed world voted a misogynistic, racist madman into power: 1933. And I succumbed to the final stage, depression.
Because it is entirely possible that like the poet said, things may change utterly – that terrible will become a word abundantly used, but this time beauty will not be part of the brief. – Helena Mulkerns
For more articles like this on IrishTimes online, see Martin Doyle at the Irish Times
Following an excellent launch on Saturday, 5 November to “Focus On Jim Mulkerns” – November’s Archive at Lunchtime programme at The Irish Film Institute this month, here’s a novelty preview of one of the films on offer. This excerpt is from Ireland Invites You, a 14 min promotional film made in 1966, commissioned by the Irish Tourist Board. They were keen to promote the attractions of the Ireland of the day, including golf courses and Bunratty Castle. Note, in this Dublin snippet, the lack of women in the pub. On the other hand, they are allowed grace the “well appointed, sophisticated” cocktail lounge! This tourist board short contrasts sharply with the film, Dublin Capital City 1974-75 made by Brendan Halligan and Jim Mulkerns some years later, which showed the reality of certain areas of Dublin’s capital. Family and friends will recognise those enjoying cocktails in the lounge scene at .30 secs! Loving the music …
Dublin Nightlife 1966 from Cyberscribe on Vimeo.
A special screening will be held today for the launch of “Dublin Capital City 1974-75′ at the Irish Film Institute, 12:45pm – with an introduction by Brendan Halligan. Please scroll down to read full press release, or click here.
A new version of Capital City Dublin 1974-75, a film by Brendan Halligan and Jim Mulkerns, will be launched on 5 November next, and screened weekly as part of the Irish Film Institute’s “Focus on Jim Mulkerns” Archive at Lunchtime showings this November, 2016. (more…)